REOG of Indonesian Nation Culture Symbol
Reog art originating from East Java Ponoroga has become a cultural art to this day. The entrance gate to the city of Ponorogodihiasi by parung warok and the gemblak of these two figures is a complementary figure in the art of reog dance. Reog is an Indonesian cultural art that is still thick and mystical about mysticism. Reog is increasingly favored by people throughout Indonesia and all Indonesians must have recognized it. Reog dance was introduced through several festivals held in several regions.
Even the art of Reog has been introduced to children who are still three years old. The main goal is to get them to know about art in Indonesia. It is true that the cultural arts of the archipelago were introduced early. So that at a young age they already have knowledge about Indonesian cultural arts.
Reog art is well preserved and is the most popular cultural art in Indonesia. In history, Reog tells about a rebellion that occurred in Majapahit's work. The art of reog which was then formed by Ki Ageng Kutu as a form of resistance to the kingdom of Kerta Bumi. In the art show Reog displays a mask shaped like a lion and better known as "Singa Barong". Lion Barong indicates that the king of the forest is the king's symbol of the Earth Kerta. Reog with the shape of the barong lion above is plastered with peacock feathers and resembles a giant fan. Then there is a character called the Jatilan who plays a gemblak dancer riding on horses indicating the royal army. In playing Ki Ageng reog dance, Kutu supports the barong lion using his teeth. So according to history the story is an army as a fight against the rebellion of the Earth and Majapahit.
But if at this time the story of Reog changes the plot, if the story in Ponorogo is currently telling about King Ponorogo who had the intention of applying for the daughter of Kediri and when in the middle of the road the King was cegat by King Singabarong from Kediri. Singabarong consisting of peacocks and lions. Meanwhile, King Ponorogo was accompanied by his representative, Bujang Anom and was escorted by warok - worok in black. Warok Ponorogo dance has deadly black magic. So the whole dance is a war dance in the rebellion between the Ponorogo Work and the Kediri Kingdom and both of them will come together and when they dance both experience demon possession while fighting. So far the Ponorogo community has followed in the footsteps of ancestors who inherited the original culture of Ponorogo, the art of Reog. Seeing from the reog art experience this is a creation of human creation formed from mystical or belief schools since ancient times and has been hereditary until now.
Modern Reog art is often performed at several entertainment events such as on Indonesian independence day and at traditional ceremonies on the first date of the Shuro. In the dance reog Ponorogo art consists of 2 series for the opening dance. The initial dance in the art of reog was shown by warok wearing black clothes which caused that man to be brave. The second opening dance will be shown by a girl riding a lumping horse, indicating the strength of the horse in battle. Then before reog appeared a dance performed by 6 men called jatilan dance. This jatilan dance is similar to the lumping horse dance, only the difference lies only in the use of horses if in a horse they don't ride a horse only wearing a mask.
Even the art of Reog has been introduced to children who are still three years old. The main goal is to get them to know about art in Indonesia. It is true that the cultural arts of the archipelago were introduced early. So that at a young age they already have knowledge about Indonesian cultural arts.
Reog art is well preserved and is the most popular cultural art in Indonesia. In history, Reog tells about a rebellion that occurred in Majapahit's work. The art of reog which was then formed by Ki Ageng Kutu as a form of resistance to the kingdom of Kerta Bumi. In the art show Reog displays a mask shaped like a lion and better known as "Singa Barong". Lion Barong indicates that the king of the forest is the king's symbol of the Earth Kerta. Reog with the shape of the barong lion above is plastered with peacock feathers and resembles a giant fan. Then there is a character called the Jatilan who plays a gemblak dancer riding on horses indicating the royal army. In playing Ki Ageng reog dance, Kutu supports the barong lion using his teeth. So according to history the story is an army as a fight against the rebellion of the Earth and Majapahit.
But if at this time the story of Reog changes the plot, if the story in Ponorogo is currently telling about King Ponorogo who had the intention of applying for the daughter of Kediri and when in the middle of the road the King was cegat by King Singabarong from Kediri. Singabarong consisting of peacocks and lions. Meanwhile, King Ponorogo was accompanied by his representative, Bujang Anom and was escorted by warok - worok in black. Warok Ponorogo dance has deadly black magic. So the whole dance is a war dance in the rebellion between the Ponorogo Work and the Kediri Kingdom and both of them will come together and when they dance both experience demon possession while fighting. So far the Ponorogo community has followed in the footsteps of ancestors who inherited the original culture of Ponorogo, the art of Reog. Seeing from the reog art experience this is a creation of human creation formed from mystical or belief schools since ancient times and has been hereditary until now.
Modern Reog art is often performed at several entertainment events such as on Indonesian independence day and at traditional ceremonies on the first date of the Shuro. In the dance reog Ponorogo art consists of 2 series for the opening dance. The initial dance in the art of reog was shown by warok wearing black clothes which caused that man to be brave. The second opening dance will be shown by a girl riding a lumping horse, indicating the strength of the horse in battle. Then before reog appeared a dance performed by 6 men called jatilan dance. This jatilan dance is similar to the lumping horse dance, only the difference lies only in the use of horses if in a horse they don't ride a horse only wearing a mask.
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